A Complex and Thought-Provoking Film
Christopher Nolan’s Oppenheimer is a dense, 180-minute film that takes viewers on an intricate journey through the life of J. Robert Oppenheimer, the physicist often referred to as the “father of the atomic bomb.” With its non-linear narrative and focus on quantum physics and morality, the film challenges audiences, requiring them to engage deeply with the material. While it may leave some viewers puzzled at times, the ultimate reward comes in the form of explosive performances and a gripping story.
Nolan’s Signature Style
As with many of his past films, Nolan continues to use his signature approach of non-linear storytelling. For a director known for mind-bending films like Memento, Inception, and Interstellar, Oppenheimer is no different. The film toggles between decades, cities, and pivotal moments without relying on clear markers like date stamps. This style leaves much open to interpretation and requires active engagement from the audience.
The story begins with Oppenheimer (Cillian Murphy) being interrogated by a room full of suits, without initially clarifying why. Soon after, the film takes viewers back to the 1930s, where Oppenheimer is a rising star in academia. The complex personal and professional choices he makes, including his romantic relationships, shape the trajectory of his career. As Oppenheimer is recruited to work on the Manhattan Project, the film shifts to his ethical struggle with the destruction his work will cause.
Stellar Performances, Especially by Cillian Murphy
While Oppenheimer is undoubtedly a challenging watch, it is elevated by a stellar cast. Murphy’s portrayal of the troubled physicist is haunting and deeply compelling, with his striking blue eyes drawing viewers into his internal turmoil. The supporting cast, including Robert Downey Jr., Emily Blunt, Florence Pugh, and Matt Damon, each bring nuance to their roles, even though some characters, like Pugh’s, are given less screen time than others.
The Film’s Ethical Dilemma
One of the central themes of the film is Oppenheimer’s moral dilemma. After witnessing the success of the atomic bomb in the 1945 test and its subsequent use in Japan, Oppenheimer is faced with the heavy weight of responsibility. His chilling line to President Truman, “I’ve got blood on my hands,” captures the essence of the ethical struggle that drives the final third of the film.
Critiques of the Film’s Length and Complexity
While the performances and direction are widely praised, some viewers may find the film’s length and complexity overwhelming. With so many characters, plot threads, and timelines to follow, the film can feel like a puzzle that takes time to piece together. Certain subplots, like Casey Affleck’s role as a military officer, feel extraneous, detracting from the core narrative.
A Visceral Experience
Despite its challenges, Oppenheimer is a visually and sonically stunning experience. The 70mm print of the film makes full use of the big screen, and Ludwig Göransson’s striking score complements the action, especially in key sequences that leave a lasting impact on the viewer. Even when the narrative slows down, the film’s technical aspects continue to captivate.
Final Thoughts
Oppenheimer may not “blow you away” in the traditional sense, but it certainly offers a thought-provoking and deeply immersive cinematic experience. For those who are willing to engage with its complex storytelling, the film delivers a powerful emotional and intellectual payoff, solidifying Christopher Nolan’s place as one of the most inventive directors in modern cinema.