Writing in AP News on July 23, 2025, the review highlights director Sophie Brooks’ Oh, Hi! as a “dark comedy exploring the ambiguities and tensions of modern dating.” The Associated Press assigned it a solid three out of four stars, complimenting the film for its clever dialogue, absurd twists, and particularly Molly Gordon’s grounded, magnetic performance amidst the chaos.
Oh, Hi! unfolds around Iris (Gordon) and Isaac (Logan Lerman), who embark on a seemingly idyllic weekend getaway. Their relationship appears warm and affectionate at first. However, what begins as a playful romantic retreat quickly spirals when a misunderstanding about their relationship status triggers a disturbing turn: Iris locks Isaac chained to the bed to force him into an emotional confrontation.
AP’s review praises the film’s balance of humor and poignancy. It points out that while the plot occasionally veers into silliness—particularly with subplots involving supporting characters Max (Geraldine Viswanathan) and Kenny (John Reynolds)—Gordon’s portrayal of Iris keeps the narrative emotionally rooted. The story is framed as a satirical look at deeply entrenched gender roles, showcasing needy women and emotionally detached men in a relationship that devolves into emotional warfare.
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Critics beyond AP echo similar sentiments. Tribeca reviews describe the film as “an enthralling downward spiral led by a phenomenal Molly Gordon,” who deftly navigates sharp tonal shifts from romantic warmth to psychological breakdown. Others, like Loud and Clear Reviews, commend how Brooks flips rom-com expectations to offer “a fascinating analysis of everything wrong with romance today”. Rotten Tomatoes currently shows broad praise, with multiple critics rating it around 3.5 out of 4 or 7/10, often citing Gordon and Lerman’s compelling chemistry. The tone is described as “darkly funny,” “slightly twisted,” and “absurdist yet grounded,” addressing millennials’ dating anxieties with sly wit.
Diverging opinions emerge, with some critics pointing to structural weaknesses in the film’s latter half. Variety notes that while the opening sparkles with interesting setup, the narrative later “loses its way as the plot becomes frustrating”. Likewise, The Guardian suggests the storyline devolves into farce, losing emotional nuance despite clever beginnings .
Nevertheless, AP’s three‑star rating reflects a consensus: Oh, Hi! is both bold and provocative—a romantic comedy reimagined for the age of “situationships.” Most notably, Molly Gordon anchors it with a performance that remains relatable and empathetic, even as her character spirals into extreme measures.
Oh, Hi! premiered at Sundance in January 2025 and is scheduled for U.S. theatrical release on July 25 via Sony Pictures Classics . At 94 minutes and rated R for language, sexual content, and nudity, the film invites viewers to confront the absurdities of contemporary romance.
Whether you relate to its portrayal of dating anxieties or simply appreciate darkly comedic storytelling, Oh, Hi! promises a sharp, unsettling, yet ultimately insightful cinematic experience.